lieu of an abstract, here is a brief excerpt of the content: reviews 167 reviews The Anti-Aesthetic: Essays on Postmodern Culture. In lieu of an abstract, here is a brief excerpt of the content: books and company The Anti-Aesthetic:Essays on Postmodern Culture Edited by Hal Foster Bay Press, 175.,.95 (paper) The Anti-Aesthetic is a provocative collection of essays which have been collected. Two of the voices harken back to our modernist past. Discard the project of modernity and replace with tradition. Jürgen Habermas holds that the radical, contestatory project ofmodernism has not been fulfilled, and he therefore distrusts attempts to declare it ended. The Anti-Aesthetic does important cultural work by thus mapping the interfaces of postmodernism and poststructuralism, and the book itself refuses a unified position on postmodernism, just as poststructuralism attacks seamless narratives, "master discourses" and all other unities. In Realizations, Meisel seeks, with success and many fascinating, thoroughly researched examples, to identify and explain the distinctive nineteenth. Because the avant gard focuses on the unknown and lack of concrete futures, modernity holds interest. Institutionalized specialization and expertise. The Object of Post-Criticism, gregory.
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The Resistance of the Place-Form. One of the problems with modernist discourse, as exemplified, perhaps, in such critics and such philosophers as Clement Greenberg, Michael Fried and Stanley Cavell, was the tendency to prescribe; in an attempt to defuse the modernist distinction, the essays in The Anti-Aesthetic assert the explication. The Visual Versus the Tactile. Discusses the image-metonymy in terms of signifier, signified, and the referent. So what is this thing called postmodernism anyway? Science is meaningless for orientation of world life. The most apparent common ground is the reliance on, or the reference to what is known, generically, as continental theory. Hal Foster's introduction deUneates the disentangles two primary strands of postmodernism: a postmodernism ofresistance and a postmodernism of reaction.
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